A New York Times Notable Book and a Washington Post , Time , Oprah Magazine , Newsweek , Chicago Tribune , and Kirkus Reviews Best Book of 2018
"The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett**
The Overstory , winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe. **
Amazon.com Review
An Amazon Best Book of April 2018: Do you love trees? I thought I did, until I read Richard Powers's The Overstory , and I realized that my appreciation of trees was lightweight at best. When one of Powers's characters goes to a small grove outside her office window to determine the tree's species, "She stands with her nose in the bark, perversely intimate. She doses herself for a long time, like a hospice patient self-administering the morphine." Trees are not exactly an addiction to the wide-ranging cast of characters--an engineer, a Vietnam vet, a college student, a videogame designer, and more—but more like a touchstone that offers tradition and destiny at once. Powers, a National Book Award and Pushcart Prize–winning author, is devious in that he first immerses the reader in the lives of his characters before delicately oxygenating his story with the devastation of Dutch elm disease, the enduring strength of the sequoia, and the communication methods trees use to warn of predators and to lure allies. The Overstory might sound a bit woo-woo—and it definitely is that, though in such a way that it inspires passion instead of eye-rolling. This gorgeously written novel will seduce you into looking more closely at not only our fellow human beings but the towering bio-kingdom that is too often merely a backdrop to our days. Perhaps, like me, you will be inspired to walk out into the night to smell the rain sweeping through the nearby evergreen trees. —Adrian Liang, Amazon Book Review
Review
“Should be mandatory reading the world over.” - Emilia Clarke
“The best book I’ve read in 10 years. It’s a remarkable piece of literature, and the moment it speaks to is climate change. So, for me, it’s a lodestone. It’s a mind-opening fiction, and it connects us all in a very positive way to the things that we have to do if we want to regain our planet.” - Emma Thompson
“An ingeniously structured narrative that branches and canopies like the trees at the core of the story whose wonder and connectivity echo those of the humans living amongst them.” - citation from the Pulitzer Prize in Fiction
“This book is beyond special.… It’s a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.” - Bill McKibben
“The best novels change the way you see. Richard Powers’s The Overstory does this. Haunting.” - Geraldine Brooks
“A towering achievement by a major writer.” - Robert Macfarlane, author of *Underland*
“This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction.… Remarkable.” - Ron Charles, *The Washington Post*
“Powers is the rare American novelist writing in the grand realist tradition, daring to cast himself, in the critic Peter Brooks’s term, as a ‘historian of contemporary society.’ He has the courage and intellectual stamina to explore our most complex social questions with originality, nuance, and an innate skepticism about dogma. At a time when literary convention favors novelists who write narrowly about personal experience, Powers’s ambit is refreshingly unfashionable, restoring to the form an authority it has shirked.” - Nathaniel Rich, *The Atlantic*
“Monumental… The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size.… A gigantic fable of genuine truths.” - Barbara Kingsolver, *The New York Times Book Review*
“A big, ambitious epic.… Powers juggles the personal dramas of his far-flung cast with vigor and clarity. The human elements of the book―the arcs his characters follow over the decades from crusading passion to muddled regret and a sense of failure―are thoroughly compelling. So are the extra-human elements, thanks to the extraordinary imaginative flights of Powers’s prose, which persuades you on the very first page that you’re hearing the voices of trees as they chide our species.” - Michael Upchurch, *The Boston Globe*
Description:
**Winner of the Pulitzer Prize in Fiction
Shortlisted for the Man Booker Prize
New York Times Bestseller
A New York Times Notable Book and a Washington Post , Time , Oprah Magazine , Newsweek , Chicago Tribune , and Kirkus Reviews Best Book of 2018
"The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett**
The Overstory , winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe. **
Amazon.com Review
An Amazon Best Book of April 2018: Do you love trees? I thought I did, until I read Richard Powers's The Overstory , and I realized that my appreciation of trees was lightweight at best. When one of Powers's characters goes to a small grove outside her office window to determine the tree's species, "She stands with her nose in the bark, perversely intimate. She doses herself for a long time, like a hospice patient self-administering the morphine." Trees are not exactly an addiction to the wide-ranging cast of characters--an engineer, a Vietnam vet, a college student, a videogame designer, and more—but more like a touchstone that offers tradition and destiny at once. Powers, a National Book Award and Pushcart Prize–winning author, is devious in that he first immerses the reader in the lives of his characters before delicately oxygenating his story with the devastation of Dutch elm disease, the enduring strength of the sequoia, and the communication methods trees use to warn of predators and to lure allies. The Overstory might sound a bit woo-woo—and it definitely is that, though in such a way that it inspires passion instead of eye-rolling. This gorgeously written novel will seduce you into looking more closely at not only our fellow human beings but the towering bio-kingdom that is too often merely a backdrop to our days. Perhaps, like me, you will be inspired to walk out into the night to smell the rain sweeping through the nearby evergreen trees. —Adrian Liang, Amazon Book Review
Review
“Should be mandatory reading the world over.”
- Emilia Clarke
“The best book I’ve read in 10 years. It’s a remarkable piece of literature, and the moment it speaks to is climate change. So, for me, it’s a lodestone. It’s a mind-opening fiction, and it connects us all in a very positive way to the things that we have to do if we want to regain our planet.”
- Emma Thompson
“An ingeniously structured narrative that branches and canopies like the trees at the core of the story whose wonder and connectivity echo those of the humans living amongst them.”
- citation from the Pulitzer Prize in Fiction
“This book is beyond special.… It’s a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed.”
- Bill McKibben
“The best novels change the way you see. Richard Powers’s The Overstory does this. Haunting.”
- Geraldine Brooks
“A towering achievement by a major writer.”
- Robert Macfarlane, author of *Underland*
“This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction.… Remarkable.”
- Ron Charles, *The Washington Post*
“Powers is the rare American novelist writing in the grand realist tradition, daring to cast himself, in the critic Peter Brooks’s term, as a ‘historian of contemporary society.’ He has the courage and intellectual stamina to explore our most complex social questions with originality, nuance, and an innate skepticism about dogma. At a time when literary convention favors novelists who write narrowly about personal experience, Powers’s ambit is refreshingly unfashionable, restoring to the form an authority it has shirked.”
- Nathaniel Rich, *The Atlantic*
“Monumental… The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size.… A gigantic fable of genuine truths.”
- Barbara Kingsolver, *The New York Times Book Review*
“A big, ambitious epic.… Powers juggles the personal dramas of his far-flung cast with vigor and clarity. The human elements of the book―the arcs his characters follow over the decades from crusading passion to muddled regret and a sense of failure―are thoroughly compelling. So are the extra-human elements, thanks to the extraordinary imaginative flights of Powers’s prose, which persuades you on the very first page that you’re hearing the voices of trees as they chide our species.”
- Michael Upchurch, *The Boston Globe*